|
Here's What You'll Learn! Course Descriptions |
|
Click
on of any the titles below to read a description of what each Lesson contains
about the music business.
Lesson 1 : Who is the Music Business
-
Lesson 1.1 -- Distribution
Explained: Anatomy of the Big Labels and Big Players
-
Lesson 1.2 -- What
Is Payola, How It Works and Why You Should Care
-
Lesson 1.3 -- How
Labels See The Artist and What Is Required to Be Signed.
-
Lesson 1.4 -- Who
Earns What at the Labels and How Do We Get to Them
|
Description
Analysis of each job in the record industry,
from CEOs to A&R executives to interns.
Actual agendas and salaries are revealed for all levels of jobs that
compose the record industry. Anatomy of the major record distributors and
their many labels. Who owns what label. How Payola works in the past, present and future and the role it will play in
every artist's career.
|
Lesson 2 : Who is the Music Business Part II
- Lesson 2.1 -- Passive
Revenue and Performing Rights Societies:
Are They Really Like Coke and
Pepsi and What They're Not Telling You
About How They Work.
- Lesson 2.2 -- Retail and Revenue
- Lesson 2.3 -- Retail and Revenue Part II
|
Description
Analysis of the main companies in the music
industry, from ASCAP, BMI, SESAC and Harry Fox, to big distributors like Sony
and Universal Music, what they make, how they fit into the big picture and how
to choose with whom you should be doing business.
|
Lesson 3 : It All Revolves Around the Copyright
-
Lesson 3.1 -- What Is a Copyright and How Can I Steal One?
-
Lesson 3.2 -- Answers to Quiz 3
-
Lesson 3.3 -- The Mechanical Royalty Scam
|
Description
A copyright tutorial that clearly
demonstrates how songs generate income and how much they can earn. Use of interactive
spreadsheets and Royalty Calculators show
real revenue streams, real
numbers and how much a "point" on a hit song can be worth.
|
Lesson 4 : The Deal From All Points of View
-
Lesson 4.1 -- Who Really Wrote the Song and
What Is a Song Anyway
-
Lesson 4.2 -- Harry Fox and Introduction to
the Deal Memo.
-
Lesson 4.3 -- Screwing the Producer
-
Lesson 4.4 -- Types of Record Deals,
Kickbacks and Producer Tricks
|
Description
How artist, producer and label each view the
record deal from their own unique perspectives. Conflicts of interest are covered as well as
legal ethics issues for lawyers. How co-writing deals can get complex. How
producers are vulnerable to fraud and how they protect themselves.
|
Lesson 5 : How Distribution Really Works and Who Really Is Your Daddy
- Lesson 5.1 -- Touring, Radio and
Conflicts of Interest with the Producer
- Lesson 5.2 -- The Big Label
Corporate Picture
- Lesson 5.3 -- Stock Rotation and End of the Day Wrap Up
Review of Lessons
1-5
- Do not
skip. This contains important summaries.
- General
Q&A on Lessons 1-5
|
Description
How
the major distribution channels are structured, controlled and sometimes
manipulated. How will this change in
the age of the internet? Where will the new distribution opportunities be in
five to ten years? How major labels are tied into multi-national conglomerates
and how this effects how they treat artists.
|
Lesson 6 : The Deal Memo Is an Ad
- Lesson 6.1 -- Records Sold
- Lesson 6.2 -- Free Goods Part I -
The Free Math
- Lesson 6.3 -- Free Goods Part II -
Bonus Thresholds Net Sales and Reserves
|
Description
To attract artists, promises made in the deal
memo are often not realized in the fine print of the final contract. How to spot the hidden loopholes as well as
techniques for adjusting them in the artist's favor. How record companies
manipulate royalty statements by re-defining words like "sales."
|
- Lesson 7 -- Advances - How They
Really Work
|
Description
Examines how the
clauses promising large Advances to new artists really work as well as how to
negotiate them in the artist's favor.
|
Lesson 8 : Royalties From Sales of Records
- Lesson 8.1 -- Introduction to
Royalties
- Lesson 8.2 -- Royalty Rates and
Configurations
- Lesson 8.3 -- Penny Rate Math Part I
- Albums
- Lesson 8.4 -- Penny Rate Math Part
II - Singles
|
Description
Royalty rates are
examined, explained and demonstrated with interactive spread sheets that show
actual figures of major and indie label artists.
|
Lesson 9 : Mechanical Royalties - Make Money While You Sleep
- Lesson 9.1 -- Controlled Compositions
- Lesson 9.2 -- The Real Statutory
Rate
- Lesson 9.3 -- Penny Rate Math for
Mechanicals
- Lesson 9.4 -- How to Boil a Frog in Your Song
|
Description
Income streams for the artist and songwriter
are compared and techniques on how to protect the writer's publishing are
explained. Controlled Composition
clauses are explained and demonstrated with interactive spread sheets that
reveal the actual dollars of hit songs and how they affect the artist's
revenue, especially when the artist makes use of samples and cover songs on
their album.
|
Lesson 10 : Terms of the Major Label Deal - Set for Life
- Lesson 10.1 -- How Long Is This Deal
- Option Periods
- Lesson 10.2 -- Where Does All The
Money Go
|
Description
How long and binding is a label deal? Option
Periods in recording contracts and techniques for limiting them are
analyzed. How much is the deal actually
worth in real-life dollars, for average sized, small-time and superstar
artists. Up-close analysis of real-life numbers helps to determine if going for
a major label is viable.
|
Lesson 11 : The Future of Music And Its Enemies
- Lesson 11.1 -- Digital Distribution
- Lesson 11.2 -- Tethered Downloads
and DRM
- Lesson 11.3 -- Ringtones
- Lesson 11.4 -- Product Placement and
the War for Digital Music Dollars
|
Description
A realists picture of where the opportunities
in the music business will be in 15 years and in 30 years.
Revenue for new licensing opportunities, Digital Rights Management,
ringtones, subscription services and iTunes are detailed.
|
|